Elizabeth Banks Re-Writes Historical past on ‘Charlie’s Angels’ Flop

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Elizabeth Banks broke out the “Woman Ghostbusters” playbook to advertise her “Charlie’s Angels” reboot.

Banks, a flexible expertise who made a easy transition to directing with “Pitch Good 2,” landed a killer second gig behind the digital camera.

Carry “Charlie’s Angels” to the large display. Once more.

The frothy TV present already made that soar, twice, courtesy of Drew Barrymore, Lucy Liu and Cameron Diaz. Now, the IP was prepared for extra, and Banks would make that occur. 

Besides the tradition modified dramatically for the reason that final time Barrymore’s “Angels” lit up the display in 2003. A brand new “Angels” couldn’t be about titillation or different tropes frequent to the supply materials.

The reboot needed to be empowering to the core. Woke, one may say.

And Banks was wanting to play alongside. She pushed that narrative to the press, very similar to the 2016 “Ghostbusters” crew did in 2016 (It didn’t work).

The “Angels” reboot downplayed glamour and intercourse attraction, two key parts of each the TV present and the characteristic movie franchise.

Banks doubled down on that woke sentiment in varied press interviews.

“I simply couldn’t cease desirous about how I felt I may convey the themes of sorority and sisterhood and camaraderie and ladies working collectively as a crew into an motion film if I did a ‘Charlie’s Angels’ film, and that ‘Charlie’s Angels’ already had that constructed into its DNA…”

“I believe it’s essential as a girl and as a filmmaker and as a feminist to acknowledge that I stand on the shoulders of the ladies that got here earlier than me… the inclusivity and openness of these scenes actually issues to me, and I believe it actually speaks to girls about how we ought to be conducting ourselves.”

She expounded on that considering in a separate interview, sharing how she tweaked the film to be extra empowering.

“One of many components of this film was supporting and believing girls … we actually have a personality who is actually working at a giant company and isn’t being believed or listened to by her bosses.”

Banks didn’t cease there.

“One of many statements this film makes is that you must in all probability imagine girls,” Banks provides. “Now we have as a lot validity in what we’re feeling and the way we need to go about residing on the planet, being on the planet, and that was actually essential to me, that we felt like we had characters that have been being taken significantly and given an opportunity to dwell their finest life.”

Now, three years after “Charlie’s Angels” grew to become an notorious flop that stopped the franchise chilly, Banks is altering her tune.

RELATED: DENNIS MILLER ON CHARLIE’S ANGELS’ FLOP: WE DON’T WANNA BE SCOLDED

Banks opened as much as The New York Instances concerning the film’s failure in a means that means she didn’t imply what she mentioned again in 2019.

Or, extra possible, she regrets these interviews.

“There was a narrative round Charlie’s Angels that I used to be creating some feminist manifesto. I used to be simply making an motion film…”

Subsequent, she concurrently performs the Sufferer Card whereas betraying every part she mentioned about her movie the primary time round.

“I’d’ve preferred to have made Mission: Unimaginable, however girls aren’t directing Mission: Unimaginable. I used to be capable of direct an motion film, frankly, as a result of it starred girls and I’m a feminine director, and that’s the confine proper now in Hollywood. I want that the film had not been offered as only for ladies, as a result of I didn’t make it only for ladies. There was a disconnect on the advertising facet of it for me.”

Seems she led the best way in that “disconnect” however isn’t eager on remembering it.

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