Greg Mottola’s “Confess, Fletch” stars Jon Hamm as Irwin M. Fletcher, an investigative reporter who goes by “Fletch” and customarily will get into hassle each time he walks out of his condominium.
We reacquaint ourselves with Fletch, now performed by Jon Hamm, as he discovers a corpse in his front room. Police assume the physique is the work of Fletch, who’s barefoot and fully nonchalant about being the prime suspect.
By digging deeper, Fletch discovers a conspiracy amongst the rich elite and, largely, unleashes an unceasing string of wisecracks, whereas virtually all the time donning an L.A. Lakers cap.
Right here is a kind of long-gestating initiatives that by no means appeared like it might get made.
Since Chevy Chase hasn’t performed the function since 1989, the announcement of a brand new Fletch movie got here and went for many years. Notable candidates for the function included Jason Lee and Jason Sudeikis, although they need to have gone straight to Ryan Reynolds.
He’s been primarily taking part in Fletch his whole movie profession.
The movie feels overly belated from the beginning, because it opens with a Miramax brand and a “Miramax Presents” introductory credit score – haven’t the brand new house owners thought-about rebranding or do they really need the names of Harvey Weinstein’s mother and father, not to mention the Weinstein connection, to flourish?
Primarily based on Gregory McDonald’s 1976 novel, “Confess, Fletch” has been adequately up to date for the twenty first century (with references to “Molly” and social media) and pivots in a course faraway from the favored Chase iteration of the character. For instance, Fletch nonetheless makes use of disguises and phony identities throughout his investigations, although that ingredient (which was broadly comedian in Chase’s palms) is dealt with with restraint right here.
The tone general displays an Elmore Leonard adaptation, although nothing right here matches the snap of both “Get Shorty” (1995) or “Out of Sight” (1998). At finest, that is nice, and a few scenes are fairly amusing, however it by no means takes maintain prefer it ought to.
Hamm is an efficient alternative for Fletch and such a stable actor, it’s a David Duchovny-level puzzle how this completed TV actor has by no means been in a position to correctly leap begin a movie profession.
Kyle MacLachlan is great as a rich suspect and Marcia Homosexual Harden, all the time a welcome presence, will get tripped up by a one-note, broadly accented character. Roy Wooden Jr. and Ayden Mayeri rating essentially the most laughs in supporting roles because the skeptical legislation enforcers who intently comply with and harass Fletch each step of his investigation.
Sadly, as constantly good as Hamm is, “Confess, Fletch” is simply too middle-of-the-road to linger within the thoughts after it ends. Mottola’s witty movie has sturdy performances and is a refined, skilled effort, however it’s too light-weight and laid again.
The primary two “Fletch” movies, directed by the late Michael Ritchie, had chew to match the unceasing sarcasm of its protagonist. Right here, the entire film is as chill as Fletch’s angle and it’s a giant downside.
This didn’t have to be an motion/comedy or extra blue in its humor to work higher. What it wanted was to make us care extra in regards to the consequence of the thriller and make investments an actual really feel of hazard to the proceedings (the primary, nonetheless finest “Fletch” succeeded at this).
Whereas a significantly better movie than Katherine Heigl’s unlucky “One for the Cash” (2012), this has an identical lack of power.
Nice chatting with Jon Hamm about #ConfessFletch.
— Popternative (@popternative) September 12, 2022
There’s a scene right here the place Fletch questions a possible suspect in her condominium, which she virtually burns to the bottom, attributable to her informal angle in the direction of hearth; it’s one of many solely scenes right here that basically goes for giant laughs and will get them.
In any other case, the central thriller is simply too predictable, and the jokes are intelligent however not laugh-out-loud caliber.
Let’s give Chase the credit score he deserves. “Fletch” wasn’t simply humorous, it was tight, sharp, thrilling and Chase was all the time higher suited to that function than his career-long stint as Clark W. Griswold.
Chase made different profitable automobiles however “Fletch” was his “Beverly Hills Cop.”
Within the authentic and even the hit-and-miss, overly broad sequel, “Fletch Lives” (1989), Chase was electrical. I’m not caught within the Nineteen Eighties and don’t assume “Confess, Fletch” wanted a Chase cameo, however I actually missed Chase and even the very ’80s however nonetheless nice Harold Faltermeyer theme music.
There’s simply not sufficient right here to make sufficient of an impression, as Hamm has been higher elsewhere. I’d be shocked if this someway catches on and Hamm returns to the function. Within the occasion that there’s one other of those in Hamm’s future, I hope that the following time we encounter Fletch, there’s extra at stake than the way forward for a 33-year-old film franchise that, as of this second, peaked within the ’80s.